The bri l l iant w orld of music. . .
The angel of music said to l ive there. . .
O nly he w ho receives the smi le of the angel can become a star.
Who w i l l the angel bestow that chance upon?
The spotl ig ht may be the only one that knows. . .
O oh y eah, w e w anna si ng w ith y ou. . .
Yume mitei ru dak e dato
Tomodachi w a w arauk eredo
S hi nj i nak ereba nani mo umarenai
S orede i ito k ok oro ga iy uy o
Konna hitori bocchi o aishite
Tsuy oku dakishi mete hoshi i
Mienai ky ori w a atodoredak e
Donna samishi i y oru mo k oete
Anata no tok oro made
Watashi w a hoshi no matataki
Beautiful . . .
Good morni ng . . .
Morni ng .
Wel l . . . Morni ng .
Wel l . . .
What?
This is lo vely, isn't it?
''Yoh?'' l s that a famous person?
Good morni ng !
Morni ng !
Good morni ng . Professor Kisarag i , best regards from today !
l 'm not a professor.
Come w ith me.
Amazi ng !
Wow ! Amazi ng ! Amazi ng !
l 'l l open this room to y ou.
Use it as y ou l i k e.
Thank y ou very much !
Wow ! l w ant to l isten to al l of them, e very one of them !
Young Miss ! Q uickly ! Q uickly ! Wow ! l w ant to l isten to al l of them, e very one of them !
Young Miss ! Q uickly ! Q uickly ! lt seems it's o ver here.
O kay. . . lt seems it's o ver here.
O kay. . .
l 'm sorry l 'm late !
Arrived safely. . .
l 'm so very sorry. The roads w ere crow ded , and so. . .
And y ou are?
No, w el l , that is. . . Ex cuse me. And y ou are?
No, w el l , that is. . . Ex cuse me.
We'l l q uit for today al ready.
lt's y our fault !
There isn't anythi ng more that l can teach y ou.
Do as y ou l i k e.
S o the cherry blossoms ha ve al ready fi nished bloomi ng . . .
O h, Akari ! Check this out !
Whi le l w as looki ng at Ms. Kisarag i's LPs. . .
S ee?
A kib a Kisara g i S ee?
A kib a Kisara g i
This is?
''Thank y ou for g ivi ng me hope to l ive. l ha ve decided . This is?
''Thank y ou for g ivi ng me hope to l ive. l ha ve decided .
Li k e y ou, Ms. Kisarag i ,
l w i l l become a vocal ist w ho can mak e a person's soul feel hea venly.
S o please g rant me this chance.
l , Rei ka, w ould l i k e to l ive w hi le shi ni ng .
l w i l l go tow ards the future.
Dream Garden, Rei ka''
May be this is Ms. Rei ka's room for her col lections?
l bet there are CDs and LPs that Ms. Rei ka's l istened to
and books that she read here !
Did Ms. Kisarag i w ant to show us these? As a reference?
That's it ! That's it !
Date aitai nante k ow ai
Area B lock ed O ff Date aitai nante k ow ai
Area B lock ed O ff S uki ni natta nante ienai
Area B lock ed O ff Watashi itsumo nani ka zureteoru y o
Zutto kanjy ou nante zenbu
S ouy o aijy ou date kanari
May be l should mak e it w ork more?
Zutto kanjy ou nante. . .
Not good . . . Al l rig ht ! Al l rig ht !
Yeah, y eah, come on
Yuki !
Yeah, come on, come on y eah, y eah !
S abita ame ga furu g uard no shita de
Nek o no y ouni
Naite bakkari itanda (U h, uh)
Namae moshi ranai kare no udede
Mezameta morni ng
Every day ( Yeah, uh, uh)
U maku i kanai k oi nandatte w akatei runo ni ( Yeah, y eah)
Whoa! Too cool ! U maku i kanai k oi nandatte w akatei runo ni ( Yeah, y eah)
Doushite anna y atsu bakka kank ei mochou no ( Yeah, y eah)
Ah, k ok oro ha mou dok oni mo ( Yo, y o )
Kizuga nok oru bashy ou mo naiy a (U h, uh, uh, y eah)
Date aitai nante k ow ai
S uki ni natte ienai
Watashi itsumo nani ka zuretei ru y o ( O h, oh, y eah, y eah)
Zutto kanjy ou nante zenbu
S ouy o aijy ou date kanari
J ust a mi nute, there, y ou ! S ouy o aijy ou date kanari
Do that home page stuff later, and hel p me w ith the store ! S ouy o aijy ou date kanari
Do that home page stuff later, and hel p me w ith the store ! Watashi nanka dok oka nej i reteru (U h, uh, uh)
l 'm comi ng rig ht now. Do that home page stuff later, and hel p me w ith the store ! Watashi nanka dok oka nej i reteru (U h, uh, uh)
l 'm comi ng rig ht now. Watashi nanka dok oka nej i reteru (U h, uh, uh)
l 'm comi ng rig ht now.
S ou deshou, y eah ( Yeah, y eah)
Bed no katasumi ni shittsu ni nok oru
That street musician from last ti me. . . Bed no katasumi ni shittsu ni nok oru
That street musician from last ti me. . . Dareka no kami o nande shi kkari mitanda
They made a homepage for her? Dareka no kami o nande shi kkari mitanda
They made a homepage for her? J i bun w a itsudemo ni banme dato
Amazi ng number of hits too. J i bun w a itsudemo ni banme dato
Kizuita morni ng
''Yuki Aoy ama is the idol of our y outh. Kizuita morni ng
''Yuki Aoy ama is the idol of our y outh. Every day
Watashi w a sonna kaze ni chodo i i kanojy ou nande ne
S he w i l l become the biggest star si nce Aki ba Kisarag i . '' Watashi w a sonna kaze ni chodo i i kanojy ou nande ne
The idol of our y outh, Aki ba Kisarag i? Watashi w a sonna kaze ni chodo i i kanojy ou nande ne
The idol of our y outh, Aki ba Kisarag i? Amari kitto honki ni narenai na no
Come w ith me. Amari kitto honki ni narenai na no
Come w ith me. Ah, hitori . . .
What?
lt's the music for y our assig nment. What?
lt's the music for y our assig nment.
l n three day s l w i l l ha ve y ou si ng it.
Yes !
That is al l . Yes !
That is al l .
Wel l , this. . .
What about that?
That room, could it be Ms. Rei ka's col lection room? What about that?
That room, could it be Ms. Rei ka's col lection room?
What is it that y ou w ant to say?
l 'm honored that y ou w ould let us study i n Ms. Rei ka's col lection room !
You, w hy do y ou w ant to become vocal ists?
lt is because l 'm i nfatuated w ith Ms. Rei ka, and . . .
Rei ka w as only ten y ears old
w hen she ga ve me that letter.
The letter w as o verflow i ng w ith her desi re to become a vocal ist.
That's w hy l g ranted her a chance.
l n response to that, she fol low ed me, prepared to g ive e ven her l ife.
That w as al l there w as to it.
lf y ou only feel some ki nd of half-hearted i nfatuation, then q uit.
My feel i ngs aren't half-hearted !
Mi ne, either! l 'm serious !
l . . . l am. . .
Ex cuse me, w hen w i l l w e beg i n practici ng the song?
Why w ere y ou g iven the use of that room?
We ha ve hig h hopes for y our natural i nterpretation of it.
lt's j ust as y ou say.
Real ly, y ou sti l l expect to get lessons?
You don't ha ve the feel for bei ng a pro, do y ou?
lf y ou ha ve somethi ng y ou w ant to ask, come ask me anyti me.
Yes ! Thank y ou !
This score is d ivided i nto parts.
l s she say i ng for ME to form a trio w ith y ou? !
l w onder if it w as a good idea to let those three use the col lection room?
l mean there is the q uestion of compati bi l ity. . .
l w onder w hat ki nd of song they w i l l ha ve us l isten to?
Wel l for now, let's decide on the parts and practice.
After al l , w e only ha ve three day s.
Decide? Nothi ng . There's only me, isn't there, After al l , w e only ha ve three day s.
Decide? Nothi ng . There's only me, isn't there,
w ho can tak e the lead?
That's selfish !
lt's fi ne, w ith J un as the lead .
O kay, Nozomi?
Then how about goi ng throug h it ourselves
and then try i ng it together i n tw o or three mi nutes?
l 'l l pass.
Don't say that !
lt's more fun if w e practice together,
and w e'l l learn each other's id iosy ncrasies and habits, rig ht?
S p y i ng on the enemy?
Enemy?
We're al l partners i n this, aren't w e?
Partners? Don't play good g i rl w ith me !
This isn't pre-school acti ng cl ub y ou know !
You can't stay al ive i n this w orld w ithout pushi ng someone else dow n.
And a unit? You ha ve to be kidd i ng !
l ha ve enoug h talent to go it alone !
Try and w ork thi ngs out w ith y ou w ho're at a low er le vel than me? !
My pride w on't al low that !
H orri ble ! My pride w on't al low that !
H orri ble !
Nozomi !
l 'l l do it alone. Don't get i n my w ay agai n. Nozomi !
l 'l l do it alone. Don't get i n my w ay agai n.
lt ki nda feels icky.
Let's cheer up. We've j ust beg un !
But if it's l i k e this now, there's no w ay it w i l l turn out w el l .
That may be so, but l 'l l do it !
l don't w ant to let this one chance to debut get aw ay !
Akari?
l . . . To become a vocal ist w as my d ream si nce l w as l ittle, Akari?
l . . . To become a vocal ist w as my d ream si nce l w as l ittle,
but somew here i n my heart l could n't bel ie ve i n my self.
There w as no w ay l could be. l d id n't ha ve that ki nd of talent.
When l read Ms. Rei ka's letter,
l decided l should try to bel ie ve i n my self more.
The feel i ng of bel ie vi ng i n y ourself,
it mig ht become the strength that mak es y our d reams come true,
l i k e Ms. Rei ka.
S o l w i l l defi nitely become a vocal ist !
l see.
O kay ! May be l 'l l try harder too,
w ith Ms. Rei ka as my goal .
Yeah, that's the spi rit ! w ith Ms. Rei ka as my goal .
Yeah, that's the spi rit !
You're kidd i ng? Debuti ng al ready?
l heard her brag about it my self by accident.
But those g i rls J US T got i n, l i k e me !
And , unl i k e me and Ay a, they got i n w ithout an exam !
That Akari Mizushi ma g i rl e ven messed up i n front of Di rector Kisarag i .
What ki nd of trick d id she use to get i n?
We can't let her get aw ay w ith it j ust l i k e that, can w e?
. . .& K Record Tha n k Yo u F or 30 Years An n i Versary Part y
Thank y ou very much. Please treat me w el l agai n i n the future.
H ey, Ms. Kisarag i ! lt's been a w hi le !
As usual y our Ms. Rei ka is surrounded by so many fol low ers,
l can't e ven get close.
By the w ay, these g i rls are?
O h ! You're i n the midst of trai ni ng Rei ka number tw o, rig ht?
That is somethi ng to look forw ard to.
lt'l l be a w hi le unti l they're l i k e Rei ka.
Ex cuse us. . .
O h, my throat's d ry. Ex cuse us. . .
O h, my throat's d ry.
That's rig ht. S hal l w e d ri nk somethi ng? H ey J un. . .
N ice to meet y ou !
l 'm J un Mori mura from Kisarag i Music Office. lt's my pleasure. . .
Wel l , thank y ou, now !
O h, y ou're Rei ka's j unior, rig ht? Wel l , thank y ou, now !
O h, y ou're Rei ka's j unior, rig ht?
You're so energetic, how nice.
Wow, it's real ly amazi ng , isn't it?
They're al l people that ap pear on TV!
You get to feel i ng a l ittle nervous, don't y ou?
What are y ou say i ng?
Aren't y ou both goi ng to be one of them soon?
J ee ves, w hy are y ou here?
This is sup posed to be i nd ustry people only.
As the attendant of Miss Nozomi , the star of the 2 1 st century,
l am w ith the i nd ustry, rig ht?
Nozomi isn't here today either?
S he said there's some music related party today.
Konna hitori bocchi o aishite
Tsuy oku dak eshi mete hoshi i
Mienai ky ori w a atodoredak e
Donna samishi i y oru mo k oete
Anata no tok oro made
Watashi w a hoshi no matataki
O h, Father? l 'm comi ng home early today, so l can hel p out !
Akari , y ou ha ve a test today, rig ht? Do y our best now.
Then l 'l l be goi ng !
l 'm sorry !
H arukana sora ni ukabu
Namae mo nai aoi hoshi
Kitto dareka ga mitsuk etekureru to
Ky oumo touku hi kari o hanatsu
ltsuka meg uriau hito
l ma w a dok o ni i runokana
H ontou w a soba ni
l rukamo shi renai
Mi mi o sumasu
Kok oro no aitsu
Konno hitori bocchi o aishite
Tsuy oku dakishi mete hoshi i
Mienai ky ori w a atodoredak e
Donna samishi i y oru no k oete
Anata no tok oro made
Watashi w a hoshi no matataki
H a vi ng those g i rls form a unit w on't w ork.
lt's a shame, but it seems that w ay.
l 'l l thi nk of another w ay.
H ow amazi ng ! They say y ou're debuti ng al ready !
Practical ly a modern day Ci nderel la, isn't she?
No, it's not. . .
Come o ver here !
Wha...What? What are you going to do? Come over here!
Get i n there !
H ey, q uit it ! O pen this ! O pen it !
You're j ust a new bie w ho's not e ven that good at si ng i ng !
l . . . l d id n't do anythi ng . . .
Don't l ie ! l . . . l d id n't do anythi ng . . .
Don't l ie !
l n this i nd ustry,
if y ou underesti mate y our seniors, it's scary y ou know !
Cool y our head i n there for a w hi le !
By e !
O pen up ! O pen up ! l said open this !
O pen up ! You open this !
O pen this. . . open. . . open this. . .
Ms. Rei ka. . .
Akari ! You're sop pi ng w et, aren't y ou?
Kaito. . .
lt seems the rai n's o ver!
Then, shal l w e go w ith part tw o?
Yeah ! Then, shal l w e go w ith part tw o?
Yeah !
S abita ame ga furu g uard no shita de
Nek o no y ouni
Naite bakkari itanda (U h, uh)
Namae moshi ranai kare no udede
l 'm sorry. l show ed y ou a pathetic side of my self earl ier.
No. . .
And then, y ou co vered for me, d id n't y ou, Kaito?
H el pi ng the Father i n my place. . .
l 'm j ust i nconvenienci ng y ou al l the ti me, aren't l ?
Don't w orry about it.
l 'l l hel p y ou anyti me, if that's al l rig ht?
Kaito?
More than that, please don't say y ou're goi ng to q uit
bei ng a vocal ist because of somethi ng l i k e this, okay?
l thi nk that may be d reams
are thi ngs that come true w hen y ou o vercome hardshi ps.
Thi ngs that come true w hen y ou o vercome hardshi ps,
those are d reams?
Yes !
H ey ! l sound pretty pompous, don't l ?
No, not at al l .
To tel l the truth, l 'm envious, of y ou, Akari .
l sti l l ha ven't found that somethi ng that l w ant to be
from the depths of my soul .
But l 'l l fi nd it too, l i k e y ou, Akari .
Then w e'l l ha ve a race to see w ho can mak e thei r d ream a real ity fi rst !
O kay !
Thank y ou, Kaito.
Today, the w hole day, l 've been cry i ng and laug hi ng .
l w as strangely emotional . l w onder w hat's hap peni ng to me?
To communicate w hat y ou feel ,
isn't that w hat l ivi ng is al l about?
Yes, that's rig ht.
That's rig ht. Yes, that's rig ht.
That's rig ht.
l ha ve a feel i ng that l 'l l be able to si ng a better song tomorrow !
H el lo, this is Aki ba.
lt's me. Can y ou come out now?
Naite bakkari itanda (U h, uh)
l ha ve somethi ng l w ant y ou to see. Naite bakkari itanda (U h, uh)
Namae moshi ranai kare no udede
Mezamete morni ng
Every day ( Yeah, uh, uh)
U maku i kanai k oi nandatte w akatei runo ni ( Yeah, y eah)
Doushite anna y atsu bakka kank ei mochau no ( Yeah, y eah)
l w anna tel l y ou (Lo ve fore ver) l j ust w anna feel y our heart
Every day, e veryw here, eien ni
Yozora no dok oka de umareta ( Yes ) hoshi no hi kari
S ore w a anata kamo shi renaishi
S ore w a w atashi kamo shi renai ne?
Kitto samishisa y a namida ni
Michi ni tachi domaru hi mo aru
Dak edo te no hi ra o kasaneaeba
Kok oro w a taisetsuna mono honto no y ume no katachi w o
S ou oshietekureru
Ai w as istusmo (Lo ve fore ver) todoku bashou ni aru
Every day, e veryw here, eien ni
Kotoba ha mou i ranai
Totemo atatakai hohoemi de
H aj i memashou, lo ve fore ver
l ' m s u re y o u ' l l bec ome a g reat teach er.
l Won 't lose.
Get h old of her.
Bl ue stone. . .